“What we can tell you is that it’s an artistic, cinematic experience by a genius movie director and completely open to interpretation. Suffice to say in this film, which is beautifully shot by Dan Patterson, meticulously edited by Randy Wilkins and wonderfully scored, its “less sacrilegious to drink blood, than to spill it….”
- Black Enterprise, June 2014
What a journey the last ten months have been for me. Last August, I was an assistant editor working feverishly on Spike Lee’s Mike Tyson Undisputed Truth while working equally as hard on a Seed and Spark crowdfunding campaign to raise money for our web series Docket 32357. Fast forward to today and I am the editor on Spike’s new film Da Sweet Blood of Jesus, while our web series has premiered online (see it here) receiving wonderful feedback from the public. I feel like I’ve matured by ten years in ten months. I can’t really describe what I’m feeling at the moment because I am still in the middle of a whirlwind. I never thought my name would be mentioned in a film review by Black Enterprise for editing a legend’s film. I quote honestly never thought I would create web based material allowing folks to binge watch a story that I love so much. It just goes to show how far persistence, hard work and commitment can get you. I hope the trend continues upward. I want to increase my impact and I want to inspire. I want to be a standard for artists and the general public. I feel really good about things right now and I feel even better that I’m surrounded by wonderfully talented people who push me every day. I hope you all get a chance to check out Da Sweet Blood of Jesus when it hits theaters and check out the Docket 32357 Web Series now!
I have to be honest with all of you. I didn’t expect or anticipate the success of the Docket 32357 short film. I knew the film was strong in all aspects of the craft, but I was privately unsure if people would like watching two women hold a conversation on a bench. It turns out that people were really interested. We were constantly asked what happens next. We were told by our audience that they wanted to see more. We decided we would satisfy that demand with a web series. We really feel strong about this narrative. One of the reasons is the focus on multi dimensional women characters. I’m really excited that Docket features two strong women leads in a dramatic series.
But in order for this series to come to fruition we need a communal effort. We recently launched our crowd funding campaign through Seed and Spark. We have a wish list of all the essential items we need for production and post production. We have awesome incentives like tickets to our premiere, roles in an episode, cooking recipes from Lois and other great packages. We really want to foster a community with Docket and would love for you to be a part of it. Please consider backing us by clicking on this link
If you can’t make a contribution please consider tweeting, emailing, facebooking (is that a word?) or even following us on the Seed and Spark page. Every little bit helps. Thank you very much.
I had a conversation yesterday with an up and coming actress who is taking her first step into the world of directing. She wanted to speak with me about my process creating Docket 32357 and my general thoughts on directing and film. I was flattered because I don’t view myself as an expert on either one of those topics, but I knew I had experiences I could share. We ventured into the subject of web series. She had an immediate negative reaction when the discussion began. I understood her feelings on it. As we talked, I realized that the reason we both felt disappointed in many of the web based projects was laziness or more specifically, the absence of putting your best foot forward as a filmmaker.
I don’t want to waste space by criticizing other people’s work. That is not the purpose of this blog. What I would like to do is briefly touch upon the absolute need for filmmakers to maximize their current abilities with every project they undertake. I can’t tell you the amount of times I’ve heard filmmakers raise perceived limitations for why they didn’t create the work they envisioned. Some of my favorites are money, locations, bad relationships with crew members, “it’s just a short” and “it’s just for the web.” In my mind, these are all opportunities to not only showcase your skills, but an opportunity to add to your toolbox. All of those limitations are potential contributing factors to creating work you didn’t even imagine you could make. It all begins with the attitude that you’re gonna demand your best regardless of the circumstances. There is no obstacle for that mindset other than yourself.
Last summer, Jeff Pinilla and I went on a research shoot to convince Jeff’s bosses at PIX 11 in NYC that buying a RED camera would be beneficial for the creative services department. The shoot was simple. We would drive around various neighborhoods in the city and capture the architecture, people and details of the areas. We were under the impression we had the whole day to drive around and capture footage. It turned out that we only had an hour to get all of this done. Despite the time crunch, we captured some great stuff and figured we had a good shot at a successful pitch. What came out of it was more than I ever imagined.
Jeff turned the footage into an impromptu spot for PIX entitled “New York Perspective.” He wrote a beautiful script to accompany the visuals and the promo ran almost nonstop. The success of Perspectives caught the attention of the creative team at FOX 59 in Indiana. They were looking to create a dynamic campaign that connected their news team with the people of Indianapolis and the surrounding towns. Jeff and I spent a week in Indy capturing the beauty of the people and the city. What we ended up with was a spot named “Indiana Made.”
I’m really happy to share the news that Indiana Made is the winner of a 2013 local Emmy. I never thought I would be considered for an Emmy, let alone a recipient of one. To be honest, the idea never crossed my mind. It is a wonderful accomplishment that I am proud to achieve. It was just as special to work with the great people in Indy: Michael Brouder, Andrew Witham and Shelby Simpson. It was a pleasure working with you guys. If you want to see the promo along with New York Perspective you can click here.
The great thing about doing a short film is you can tell an engaging story in a limited amount of time and effectively impact an audience well beyond the screening. The downside to that is if people enjoy the film you are constantly asked “why is it so short?” “why can’t we see more?” I’m joking about the downside part because that obviously means people were into the work. Most of the time my answer is some non-sensical, random attempt to evade the question. Well, this is one of the rare times when I can say you’re gonna find out exactly what happens next. I am really proud and excited to announce that Docket 32357 will be developed into a web series!
A brief history about Docket before we move forward. Eljon wrote the piece as a full length play. I turned the first scene of the play into the short that has done so well. We are essentially adapting the feature length play for the computer screen. We will delve into the lives of Lois and Valerie. We’ll know more about the court case. We will be introduced to the ladies’ husbands. And we’ll see how their story ends. This is a new endeavor for me because I’ve never done something that was targeted for the web, but I am really excited to take this challenge on. I will be blogging more about our journey to get this done. I hope you will come on the ride with me as we make this web series. As always, thank you for supporting me, the crew and the film.
As you can tell from the title of this post I have some exciting news to share with you all. Our short, “Docket 32357,” is the inaugural film of the Huffington Post’s Black Voices Breakthrough Theater film series. The film is available for the next week in its entirety. I ask that you all take 15 minutes of your time to see what I have been posting about over the last couple of months. I also ask that you please like, share, tweet, instagram, reddit, share of on google + and email your networks about this screening. We really need all the help we can get in spreading the word. Just as important are your comments on the film. We would love to hear feedback from our audience. This is really exciting and I would have NEVER thought the film would have an opportunity like this. Docket has gone through a wonderful journey up until this point and I hope it continues. Please join us for the ride.
I am proud to announce that Docket 32357 is an Official Selection of the Montreal Black International Film Festival. This is our Canadian premiere and the film’s 19th selection. This has been a tremendous run for us and I’m really excited that the film is a part of this festival. A friend of mine, Donald Conley who directed “Sleep” the winner of the festival’s Best Short Award, had some great things to say about it so I look forward to experiencing it. I think this is one festival where we will be live blogging and posting pics of since we’ve missed out on attending some other great festivals with the film. It’s a great feeling to see that the film is still finding venues to play in and hopefully the run will continue. Thank you to all cast and crew and thank you to all of those that continue to support Docket.